Research in historical, artistic and vernacular photography has been rapidly expanding in the past few years. Responding to this trend, the International Conference of Photography and Theory (ICPT) was created with the aim to provide an outlet for an interdisciplinary and critical theoretical exploration of photography and photographic practices. The 4th International Conference of Photography and Theory (ICPT2016) aims once again at bringing together researchers and practitioners from diverse fields of study, who share a common interest in photography.
This year’s topic, ‘Photography and the Everyday’ investigates the current meanings, distribution, materiality, impact, and affect of vernacular photography (or else everyday photography) in relation to our economy of images. Furthermore, it aims to examine the ways vernacular photography influences, shapes and challenges memory, individual and collective identities, historical and other narratives, the social fabric, issues of authorship and authenticity, privacy and public life.
Submitted proposals for presentations should address, but are not limited to one or more of the following:
Vernacular, Snapshot and Everyday Photography
The nature of everyday photography: producing, collecting, displaying, categorizing and distributing the everyday image
The ephemeral nature of everyday photography
Found vernacular photography: issues of privacy and ownership
The Digital Archive: a new materiality
Personal photo album vs a shared public database
Redefining the family album
The digital rebirth of the surveillance society
Traces of Memory & Identity
Everyday image: memory, place and everyday life
The indexical nature of everyday digital photography
Digital memory: a fluid strand of memory
Sharing photographs online: constructing family and private life
Empowering through vernacular photography
Producing and consuming photographic images
The Effect of Photo-Sharing Applications & Social Networks
From Polaroid to Instagram
The Selfie phenomenon
Digital Photographic collections and communities: formulating, participating and social tagging
Collaborative photographic practices and experiences
Everyday photographic production and photo-sharing as a social process
Photo Diary/Weblog/Photostreams as narratives
Politics, revolutions and propaganda of photo-sharing
Art and Everyday Photography
The everyday/snapshot aesthetic in art photography
Artists’ use of everyday photography – found or (re)created
Issues of appropriation and assimilation
The personal and collective in everyday photography
Curating the vernacular
Simulating and performing the vernacular
12月02日
2016
12月04日
2016
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